![]() Who Framed Roger Rabbit?‘s blend of animation and live-action was popular. This film’s producer Frank Marshall directed the first two. So far to emerge have been Tummy Trouble (1989), Rollercoaster Rabbit (1990) and Trail Mix-Up (1993). Eddie Valiant (Bob Hoskins) and Jessica RabbitĪfter the film’s success Roger, Jessica and Baby Hermann briefly became characters in a short-lived attempt by Disney to create a new series of cartoon shorts. Nevertheless, the sheer manic energy of the rest of the film makes Who Framed Roger Rabbit? enormously entertaining. Quieter scenes dealing with the reluctant friendship between Eddie and Roger or in Eddie’s problem overcoming the bottle tend to be regarded as less important filler material. Robert Zemeckis demonstrates far too easy a willingness to dismiss advancement of the story for more visual lunacy. The visual invention of the film is weakened by a so-so story, which seems only like warmed-over Chinatown (1974). Popping up throughout are Bugs Bunny, Mickey Mouse, Tweety, Dumbo, Yosemite Sam, the brooms from Fantasia (1940), the penguins from Mary Poppins (1964), Donald and Daffy cast in a hilarious nightclub piano duel, a black-and-white Betty Boop (unemployed since the days of colour) and even Porky Pig popping up at the end to pull the hole shut on the picture with a “That’s all folks!”įrom the moment that the film opens with a three-minute animated sequence that seems like a rollercoaster-ride distillation of every Tex Avery and Chuck Jones gag ever made, a manic kitchen assault course of flying knives, rolling pins, electric sockets and gas ovens, the film sets in with a pace that leaves one with a feeling akin to a complete physical workout by the end. In an amazing contractual deal between Disney and Warner Brothers, Robert Zemeckis and Amblin managed to obtain the copyright usage on most of their combined cartoon characters and Who Framed Roger Rabbit? is not only an amazing homage and parody to the style of animation but also a witty game of Spot-the-Cameo appearance of the cartoon greats of yesteryear. Eddie Valiant (Bob Hoskins) handcuffed to Roger Rabbit We also make a visit to the Acme Factory where all the gags and gadgets that turn up in cartoons are made. After being hit, characters are constantly having to bat away the animated birds that flutter around their head after Roger goes smashing through an office window, his silhouette is left in the glass and blinds. And that is where the fun begins, in seeing the zaniness of a cartoon universe mapped onto the real world. The film serves up an astounding array of effects, allowing humans and animation to flawlessly integrate. In fact, here they are a minority group of their own with even their own suburb of Hollywood – Toontown, a metropolis that works as a bewilderingly psychedelic run through the laws of cartoon universe physics. ![]() It begins from one ingeniously simple central premise – that the characters in cartoons have an ontological existence and are just like any other Hollywood stars. Who Framed Roger Rabbit? is an alternate history film of sorts. ![]() (See below for a full list of Zemeckis’s genre titles). From there, Zemeckis went from strength-to-strength making films like Forrest Gump (1994), Cast Away (2000), Flight (2012), The Walk (2015), Allied (2016), Welcome to Marwen (2018), The Witches (2020) and Pinocchio (2022). It was with Who Framed Roger Rabbit? that Robert Zemeckis consolidated his reputation as an A-list director and as one whose work bristles with cutting edge movie-making technology. Wolf’s novel Who Censored Roger Rabbit? (1981). After that, Zemeckis turned his attention to this adaptation of Gary K. Back to the Future confirmed Robert Zemeckis as a hot and exciting new talent. Director Robert Zemeckis captured the world’s attention with the runaway success of his third film Back to the Future (1985).
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